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・ Amadgah Abyek
・ Amadgah Shahid Mohasan Ghafurian
・ Amadhia Albee
・ Amadi (surname)
・ Amadi Ikwechegh
・ Amadia and Akra
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Amadis de Gaula
・ Amadis de Gaule (J.C. Bach)
・ Amadis de Gaule (La Borde and Berton)
・ Amadis de Grèce
・ Amadis Jamyn
・ Amadis of Greece
・ Amadito Valdés
・ Amadiya
・ Amadiya District
・ Amadjuak
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Amadis de Gaula : ウィキペディア英語版
Amadis de Gaula

''Amadis de Gaula'' (original Old Spanish and Galician-Portuguese spelling; , ; , ; "Amadis of Gaul") is a landmark work among the chivalric romances which were in vogue in sixteenth-century Spain, although its first version, much revised before printing, was written at the onset of the 14th century.
The earliest surviving edition of the known text, by Garci Rodríguez de Montalvo (not Ordóñez de Montalvo), was published in Zaragoza in 1508, although almost certainly there were earlier printed editions, now lost.〔Daniel Eisenberg and Maricarmen Marín Pina, ''Bibliografía de los libros de caballerías castellanos'', 2000, https://web.archive.org/web/
*/http://users.ipfw.edu/jehle/deisenbe/Bibl_libros_de_caballerias/bibliography.pdf〕 It was published in four books in Castilian, but its origins are unclear: The narrative originates in the late post-Arthurian genre and had certainly been read as early as the 14th century by the chancellor Pero López de Ayala as well as his contemporary Pero Ferrús.
Montalvo himself confesses to have amended the first three volumes, and to be the author of the fourth. Additionally, in the Portuguese ''Chronicle'' by Gomes Eannes de Azurara (1454), ''Amadis'' is attributed to Vasco de Lobeira, who was knighted after the Battle of Aljubarrota (1385). However, although other sources claim that the work was, in fact, a copy of one João de Lobeira, not troubadour Vasco de Lobeira, and that it was a translation into Castilian Spanish of an earlier work, probably from the beginning of the 14th century, no primitive version in the original Portuguese is known. The inspiration for the "Amadis de Gaula" appears to be the blocked marriage of Infanta Constanza of Aragon with Henry of Castile in 1260 (See Juan Manuel's ''Libro de las Armas'' of 1335), as blocked was also Oriana's marriage to Amadis. A more recent, minority opinion attributes "Amadis" to Henry of Castile and León, due to evidence linking his biography with the events in "Amadis". Henry of Castile died in 1305.
In his introduction to the text, Garci Rodríguez de Montalvo explains that he has edited the first three books of a text in circulation since the 14th century. Montalvo also admits to adding a fourth as yet unpublished book as well as adding a continuation (Las sergas de Esplandián), which he claims was found in a buried chest in Constantinople and transported to Spain by a Hungarian merchant (the famous motif of the found manuscript).
==Characters and plot==
The story narrates the star-crossed love of King Perión of Gaul and Elisena of England, resulting in the secret birth of Amadís. Abandoned at birth on a barge in England, the child is raised by the knight Gandales in Scotland and investigates his origins through fantastic adventures.
He is persecuted by the wizard Arcalaús, but protected by Urganda la Desconocida (Urganda the Unknown or Unrecognized), an ambiguous priestess with magical powers and a talent for prophecy. Knighted by his father King Perión, Amadís overcomes the challenges of the enchanted Insola Firme (a sort of peninsula), including passing through the Arch of Faithful Lovers.
Despite Amadís' celebrated fidelity, his childhood sweetheart, Oriana, heiress to the throne of Great Britain, becomes jealous of a rival princess and sends a letter to chastise Amadís. The knight (later famously parodied in ''Don Quixote'') changes his name to Beltenebros and indulges in a long period of madness on the isolated Peña Pobre.
He recovers his senses only when Oriana sends her maid to retrieve him. He then helps Oriana's father, Lisuarte, repel invaders. A short time later he and Oriana scandalously consummate their love. Their son Esplandián is the result of this one illicit meeting.
Rodríguez de Montalvo asserts that in the "original" ''Amadís'', Esplandián eventually kills his father for this offense against his mother's honor; however, Montalvo amends this defect and resolves their conflict peaceably.
Oriana and Amadís defer their marriage for many years due to enmity between Amadís and Oriana's father Lisuarte. Amadís absents himself from Britain for at least ten years, masquerading as "The Knight of the Green Sword". He travels as far as Constantinople and secures the favor of the child-princess Leonorina, who will become Esplandián's wife. His most famous adventure during this time of exile is the battle with the giant Endriago, a monster born of incest who exhales a poisonous reek and whose body is covered in scales.
As a knight, Amadís is courteous, gentle, sensitive and a Christian who dares to defend free love. Unlike most literary heroes of his time (French and German, for example), Amadís is a handsome man who would cry if refused by his lady, but is invincible in battle and usually emerges drenched in his own and his opponent's blood.

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